Fusing elements from the most sacred of Indian music, using a plethora of indigenous musical instruments and adding layers of guitars, flute and occasional vocal percussion, the listener is treated to some very delicately written tunes that embody the true spirit of this region.
One of the most interesting aspects to music of this type is the unusual effect obtained by using the throat as a musical instrument. Subash Chandran, who, recognized as one of the great exponents of this craft, has contributed an overwhelming impact to some of these songs that touch on many aspects of life and the deep religious convictions of those living in this region. One can easily sense the cultural diversity with this music as the songs (or ragas) tell their own stories with true emotion and feeling. Although less accessible than some styles of music, one can only be amazed at the depth, complexity and sincerity of the players whose inspiration reach far back into time when John McLaughlin and Mahavishnu Orchestra made their impact on a young and aspiring song writer named John Wubbenhorst. He is ably accompanied by Ganesh Kumar on Kanjira (South Indian frame drum), Steve Zerlin on bass, Jorge Zamorano on guitar and the acclaimed konnakol master, Subash Chandran.
Certainly the most instantly likeable and accessible song on the album is the Celtic inspired track called "Irish Raga" which reminds me very much of a melding of ideas from Bill Douglas and Tri Atma. This song is a very rich and rewarding piece that moves well beyond what some may call New Age cheese as it's infectious melodies and rhythms are far greater than most of the soporific material that is passed of as music in this oft-maligned sub-genre.
While an album of this nature is obviously not going to appeal to the masses, this is for those with a penchant for something a little different, perhaps along the lines of Jade Warrior, Shakti, Hossam Ramzy, Prem Joshua, Sambohdi Prem and even Talitha McKenzie whose album, "Solas" featuring extensive "mouth music", does for Irish music what Facing East does for the Indians. The final 2 tracks are particularly interesting, by virtue of their underlying melody and the pulsating and throbbing but very subtle influence courtesy of the compelling variety of the percussion. This is good, clean challenging music so accompany it with your favourite red wine of choice and some appropriate cheese and crackers.
Track Listings:
1. Continuous Celebration (6.35)
2. Bass Alap (3.51)
3. John Beyond (10.03)
4. Prelude For Debby (1.34)
5. Irish Prelude (2.18)
6. Irish Raga (7.23)
7. There Is Only Light (3.40)
8. Infectuoso Groovatissimo (8.39)
9. The Light Above Religion's Mind (1.05)
10. Facing Beloved (15.33)
11. Celebration Continues (7.04)
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