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Bolin, Tommy: Whirlwind
Much like Jimi Hendrix, the life & music of guitar legend Tommy Bolin seemed to have crashed and burned all too quickly. Prior to his drug related death in 1976, Bolin was starting to formulate solo album number three, after semi-successful stints in both The James Gang and Deep Purple that saw his stock as a guitar hero in waiting rise before quickly getting snuffed out after years of heroin addiction. And, once again just like Hendrix, since Bolin's death there has been a wealth of live and studio recordings to come out on the market that further prove the talents of this guitar genius. Whirlwind is the latest, a 2CD set from the folks at the Tommy Bolin Archives along with Cleopatra Records/Purple Pyramid, which contains not only some songs that were meant for that third solo record, but also rare material from Bolin's jazz-fusion band Energy as well as alternate & instrumental versions of other songs from his earlier solo albums. For fans, this is a set not to be missed.
The scorching "Cucumber Jam" from 1975 kicks things off, a sizzling number with Bolin's searing licks and solos, followed by the hard rocking "Heartlight", a tune recorded with the Energy line-up of Bolin, vocalist Jeff Cook, drummer Bobby Berge, bassist Stan Sheldon, and keyboard player Tom Stephenson. This band formed out of the ashes of Zephyr, and after you hear this tune, you'll wonder why this group didn't stick together and become huge. An excellent song, with catchy melodies and superb instrumentation, hard rock but with a jazz-fusion feel. "Hoka-Hay" is also from those same sessions, a scorching instrumental with fiery guitar & keyboard interplay that will easily appeal to all Return to Forever, Mahavishnu Orchestra, and Tony Williams Lifetime fans. Tommy alone with his acoustic guitar is featured on "Don't Worry 'Bout Cash", and "San Francisco River" is a sizzling instrumental from 1975 that also features Berge & Sheldon, but it's Bolin's heavy riffs and amazing lead technique that steals the show. Another Energy tune that could have easily been a hit is "Rock-A-Bye", a Bob Seger styled rocker with great vocals from Cook and Stephenson's honky tonk piano lines.
"Dungeon" is an instrumental track that was planned for the third solo record, and it's another stellar hard rock/fusion piece with killer lead guitar work that shows just how savage Bolin could get when he wanted to. From a 1973 session comes "Alexis", a moody blues/pop rocker that was recorded just after the Billy Cobham Spectrum album and immediately prior to the guitarist joining the James Gang. In fact, most will remember that this tune actually made it to the James Gang Bang album, but it's here in its infancy, a tad more atmospheric but no less as powerful, complete with the hard rocking finale and Bolin's effects laden guitar work. "Gotta Dance" is a little tight jam that was being worked on for the third solo album in early 1976; there are some good ideas here on this funky rocker but you can tell it's mostly unfinished. "Spanish Lover" is another 1973 recording that also eventually made it to a James Gang album, the 1974 release Miami. CD 1 ends with the blistering "Sooner or Later", a melodic hard rocker that was being worked on just prior to his death, and finished up posthumously with Max Carl & Mike Finnegan trading off on lead vocals. Bolin's phased out, soul searching lead guitar work on this track is just sensational.
Over on CD2 you get an early instrumental version of "Red Skies", another tune that eventually wound up on Miami over a year later. Tommy's skills as a lead guitarist are in full force on this heavy yet atmospheric rocker, and "Way It's Always Been" is an early 1972 recording featuring Bolin on acoustic guitar & vocals doing a sort of Bob Dylan styled folk tune. Another song that eventually made it to Miami is "Sleepwalker", here once again in instrumental demo format. The monstrous 26-minute "Marching Bag" is performed by Bolin with other members of Energy, and this tune eventually morphed into "Marching Powder" for the Teaser solo album. To say it's a fusion lovers dream is a complete understatement, so look for all sorts of incredible jams and sizzling guitar work here on this epic. Another Teaser track, "Wild Dogs", shows up here in lovely acoustic format, and the blistering funk rocker "From Another Time" from 1973 was also recorded just prior to him joining the James Gang, and sees Max Carl delivering some powerful vocals alongside Bolin's snappy licks & riffs and groove laden rhythms courtesy of Berge and Sheldon. A real workout of a tune, and not all that different from the music Bolin would help create in his short time with Deep Purple a few years later.
The whole set comes housed in a nice looking digipack, with a booklet containing full track information, photos, and an essay from Cook who talks about the sessions and the legend that is Tommy Bolin. My only gripe is that there are plenty of mistakes on the track information, such as songs where there are vocals and no vocal listed, songs where you hear keyboards and no keyboard player listed, and some typos, but otherwise this is a must have set for any serious Tommy Bolin fan. The sound quality on most of these tracks are pretty decent, a few sounding close to a good bootleg, but the musicianship throughout is stellar as you would expect. Simply a mandatory purchase for any Bolin aficionado.
Track Listing
CD1
1) Cucumber Jam
2) Heartlight
3) Hoka-Hay!
4) Don't Worry 'Bout Cash
5) San Francisco River
6) Rock-A-Bye
7) Dungeon
8) Alexis
9) Gotta Dance
10) Spanish Lover
11) Sooner or Later
CD2
1) Red Skies
2) Way It's Always Been
3) Sleepwalker
4) Leave Other People Alone
5) Marching Bag
6) Wild Dogs
7) From Another Time
Added: September 1st 2013 Reviewer: Pete Pardo Score: Related Link: Cleopatra Records Hits: 5047 Language: english
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Bolin, Tommy: Whirlwind Posted by Steven Reid, SoT Staff Writer on 2013-09-01 08:51:42 My Score:
Whether through the underappreciated Deep Purple album Come Taste The Band, his pair of solo albums, a period spent with Billy Cobham, or his work with Zephyr or James Gang, for a brief period between the late sixties and mid seventies, guitarist Tommy Bolin ploughed a varied and rewarding musical furrow. Hard Rock, Jazz, Blues, Funk, a touch of Country, it seemed nothing was beyond his fiery, yet always fully in control fret style, illustrating a true empathy for whichever genre he turned his hand to.
Over the years since his untimely death in 1976, Bolin's live and unreleased work has been continually mined, with some true gems being unearthed in the process and while Whirlwind, the latest set of Bolin rarities, does contain some music already available elsewhere, it still manages to be one of the better sets to boast the late musician's name.
To get the "bad" out of the way first, the main frustrations come from the information in this double CD set, with inconsistencies between the booklet and the discs making it hard to fully appreciate who is playing on what. While some typos and the omission of sections of some of the text courtesy of Jeff Cook, the vocalist of the early Bolin band Energy, is also a real shame. Especially when you take into account how beautifully it is all presented. Considering these types of releases are squarely aimed at fanatics desperate for this type of detail, these mistakes are truly unfortunate, however the music contained across both discs of this Purple Pyramid/Cleopatra Records release goes a long way to compensating for these issues. The aforementioned band Energy, were a smokin' hot heavy riffing bluesy rock outfit that should have, given the correct platform, taken the scene of the time (early 70s) by storm. Throughout Bolin is in phenomenal form, whether that be through the hard rockin' blast of "Heartlight", or the sizzling jazz fusion instrumental of "Hoka-Hey!" which shows a completely different side to the band.
However there is much more to cover than just one act and even in less structured situations that same level of excitement and versatility shines through, with the self explanatory "Cucumber Jam" positively shimmering with energy, while "Don't Worry 'Bout Cash" finds Tommy musing all alone on acoustic guitar. Disc one closes with "Sooner Or Later", a track destined for Bolin's uncompleted third solo record, the song being posthumously completed with Max Carl and Mike Finnegan trading off lyrics written by Cook, over a Bolin guitar line which captivates the imagination.
Over on disc two, things revolve around the amazing full twenty six minute version of the Bolin solo track "Marching Bag" (it became "Marching Powder" on Teaser), a song and performance that makes this disc worth the purchase price all on its own; being a perfect example of how powerful and introspective fusion can be and simply stunning. However you also still have nuggets such as an early instrumental take of Miami track "Red Skies" and "From Another Time" which was worked on just prior to Tommy joining the James Gang. The latter especially grooves superbly showing the funk side of things Purple fans would have such a problem with, although through the acoustic version of "Wild Dogs", which would in full electric glory end up on Teaser, Bolin yet again shows he was far from the one trick pony many were keen to paint him as. Musicians come and go across the two discs and many sessions gathered together here, but unlike most albums which cull together sessions never initially intended for release, the standard remains remarkably high.
I can't help but think there is still (hopefully) a far more comprehensive Bolin collection to come one day, however Whirlwind is still a must have for fans of his music. Excusing the odd booklet inaccuracy and printing error it is hard to criticise much else collected here.
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