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Nilsson; Stefan: The Gift
A renowned soundtrack composer and keyboard player, Stefan Nilsson is also a respected and admired jazz rock band leader, his work with Kornet remembered fondly by many. The Gift is his first foray back into the the world of jazz rock instrumentals for many a year, and in many ways you can tell.
Now that may appear to be a disparaging comment, but the very fact that The Gift sounds far removed from much of the genre bending and non conformist jazz being bandied around these days is one of its most endearing features. Instead the sheer class of musicianship on show from Nilsson and his seven accompanists is left to impress in an amazingly honest and simple manner. Again, the word simple could be seen as a denigrating remark and yet, what's meant by that, is that there's no production trickery, no sound effects, no flashing lights or dazzling lasers. Instead The Gift focuses on organically squeezing the best it can from each and every song it encounters.
Across the disc this laid back, if far from leisurely, jazz incorporates a selection of classical pieces into its makeup via Vivaldi's "Winter", as well as Bach's "Menuet" and D-Minor Concerto – the latter reworked into the album's title track. Each selection is handled masterfully, busy but never cluttered arrangements infusing the fusion beautifully into the classical. A pair of cover versions are also incorporated, Duke Ellington's "Don't Get Around Much Anymore" a highlight, while Fats Wallers' "Honeysuckle Rose" isn't far behind. The original cuts aren't exactly out of place either, the stunning "Martin Beck Theme" a study in how to make a massive impact with the lightest of touches, while "Let's Go" injects a little bottom end energy into a pulsating drum mix. Factor in that the World Music infused "Sana Sananina" proves, at nearly ten minutes in length, to be an ever evolving delight where the vocals from Aminah Al Fakir are a joy and The Gift remains an eclectic, satisfying collection throughout.
While often energetic and involved, for some what Stefan Nilsson and his band have crafted here will prove a little gentle and dare I say, safe. However if you're looking for beautifully structured music with an eye on the uplifting – with some mean musicianship to boot – then The Gift will be most gratefully received.
Track Listing
1.Yttersti
2.Menuet (Anna Magdalena notebook)
3.The Gift
4.Martin Beck Theme
5.Let's Go
6.Keltsong
7.Honeysuckle Rose
8.Don't Get Around Much Anymore
9.The Happy Gang
10.Winter (Four Seasons)
11.Sana Sananina
Added: February 2nd 2016 Reviewer: Steven Reid Score: Related Link: Stefan Nilsson on facebook Hits: 2412 Language: english
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Nilsson; Stefan: The Gift Posted by Jon Neudorf, SoT Staff Writer on 2016-02-02 23:11:44 My Score:
Stefan Nilsson is a world famous keyboardist from Sweden. In the '70s he was a member of the jazz rock band Kornet and released his first solo album Romantic Piano Dreams in 1986. For the last number of years he has been prolific in writing and composing film scores, mostly Scandinavian productions. After a number of years he is back with his new solo album The Gift.
Nilsson has an incredible knack for writing tunefully melodic music and on The Gift this is readily apparent. The melodies all over this disc are really quite beautiful. Of course he couldn't have done it alone as he has a wonderful band joining in on the fun.
"Yttersti" opens the CD with World flavoured percussion leading into Nilsson's wonderful keyboard melody and lyrical guitar work from Erik Söderlind. As the song ventures forth we get a lovely unison of guitar and keys before Nilsson breaks free for a tasty solo. Then its bassist Patrik Boman's turn to show his considerable skill. All this is done in a smooth and elegant manner, very uplifting to say the least. "Menuet" offers a little different sound with bluesy guitar licks interjecting Nilsson's tasteful keyboards. The title track is one of the most exciting and dynamic tunes on the album starting with classically inspired piano before building momentum with changing tempos and wonderful bass and guitar solos, both acoustic and electric. The tempo is slowed in the pretty guitar and piano ballad "Martin Beck Theme" whereas "Let's Go" offers a up a folky vibe featuring spry acoustic guitar before various percussive sounds create a dreamier texture. Soon the vibrancy returns led by wonderful solo guitar and persistent bass. That's just the first five tracks, there are six more that are just as worthy.
Nilsson has dedicated the album to percussionist Magnus Persson who unfortunately passed away in November of 2014. Magnus added his skill to eight tracks.
After listening to The Gift it is certainly easy to tell this was a labour of love for Nilsson. Inspired jazz-rock with great melodies, fantastic musicianship and most importantly inspirational music from the heart.
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