
While Pain Of Salvation has had enormous growth over the years, Entropia
was their album that marked the arrival of one of the most innovative bands in
the genre. If you're a Pain Of Salvation fan, you'll know that there is not one
Pain Of Salvation album you can grasp on the first try. That's the beauty of
their music: secret meanings, different plots, a lot of texture, cerebral lyrics
and intelligent concepts. Daniel Gildenlow is a unique artist who likes to
explore all sorts of musical ideas and thus he's more creative artistically than
most of his contemporaries. He likes to push music in more unexplored directions
with each album to express himself.
Entropia is Pain of Salvation's debut album; it was originally
released in Japan in 1997, but it would take two years for it to break in Europe
and Stateside, after the success of their sophomore album One Hour. Hence
the reason some people confuse the two CDs. Compared with One Hour,
Entropia is more raw in a way, and more fresh. It has more groove and soul,
while One Hour was more stiff (yet more focused). Most of the material on
Entropia was collected and written when Daniel was in his early twenties.
In this aspect the album tends to branch out quite a bit and comes off sounding
more unpredictable than the band's later releases. Considering that Entropia
is a debut album, that is a very big asset. The music borrows a lot of funk
influences, some rock influences, some traditional metal and even some death
metal riffs. (The band's original bassist was Gustaf Hielm who later joined
Meshuggah.) Also Daniel admits that they may have taken some hints from death
metal way back. The song structures vary a lot and they are more loose in a way.
The combination of funky riffs and ultra heavy riff-laden approach provides an
interesting contrast, and takes the compositions to a totally new ground.
Vocalist Daniel is very multi-dimensional: he can soar from a deep bassy tone to
a high witched wail effortlesly and effectively. So if you prefer vocal
diversity at the highest level over the same boring tone, you are in for a
treat. These are only few of the features that make Entropia arguably
their heaviest release to date.
This is the only album with guitarist Daniel Magdic on it, who contributed a
little to the songwriting as well. He lays down some amazing guitar solos, which
are a bit longer than the solos on their subsequent albums. I like the attitude
he puts behind his playing, more than his advanced technique. Kristoffer's bass
is powerful, full of life. His rich bass line in the song "People Passing By" is
excellent. The drumming once again is very diverse - listen for the solo on the
intro of "Stress". In all the songs the music carries a great deal of unity. The
keys enter and leave as the story in the concept begins to take shape and you
realize how well-thought the lyrics are on the album. The mix is very crisp and
fresh, it allows each instrument to make itself felt and blend seamlessly with
each other.
But Entropia isn't just about the music. There is so much more to it
as far as the concept is concerned. Basically the album looks through the eyes
of a small child and his father. When his father has to leave him and his mother
to go to war, we are given insight how he aches and bleeds within. The songs
scream out rage at the senselessness of war and its outcome. "People Passing By"
has a great lyrical theme dealing with the backside of society (this is more
vividly explored on The Perfect Element Pt.1), about the people that are
made redundant by others. It is about a homeless man who could probably have
been a useful individual in the society had it not been for the destructive war.
This concept album is presented in three chapters which again sees Gildenlow
exploring dark and complex lyrical and thematic subject matters. The title of
the album was derived from the words 'Entropy' and 'Utopia'. Entropia is
the place where the soldier takes his wife after his return from war. Upon
losing his beloved son, he and his wife move to West Entropia (a vague
satire at industrialization and technology overstepping its limits?) But he is
unfortunately unable to protect her from wrongdoings. There are so many shadings
and meanings to this concept, and I highly recommend you try to bring out your
own interpretation. Whatever the concept, Gildenlow manages to deliver with
emotion, intelligence, integrity, passion, complexity, and poignancy.
Favorites would be the 9-minute epic "People Passing By" with its amazing
vocal delivery, incredibly articulate guitar solo, and on top of it all its
lyrical theme. The lyrics are alive with emotion and sentiment. "Nightmist" is
another winner for its blending everything regarding the band's talent and
"Plains of Dawn" towards the end of the CD takes the listener to height where he
might want to freeze forever.
Track Listing:
- (Foreword)
- Welcome To Entropia
- Winning A War
- People Passing By
- Oblivion Ocean
- Stress
- Revival
- Void Of Her
- To The End
- Never Learn To Fly
- Circles
- Nightmist
- Plains Of Dawn
- Leaving Entropia (Epilogue)