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K’mono: Mind Out of Mind
The Minneapolis three-piece K’mono have no issue with making their influences clear. And if you are going to draw from others, you might as well draw from some of the best: Yes, Genesis, Pink Floyd, and King Crimson. Mind you, they never ape those bands completely. Well, almost never. In short, they aren’t like The Watch, which might as well just call themselves a Genesis tribute band, although I must admit that they are a very good forgery. Instead, K’mono dabbles here and there with readily identifiable sounds from those groups throughout their sophomore effort, Mind Out of Mind, but not as successfully as their idols did.
The album kicks off with the title track, the longest song on the album. It’s very wordy, like the rest of the album. Musically, it reminds me of Wobbler at times and Genesis at others, with some Banks-type keyboard work. Despite the highly repetitive lyrics, it’s OK. The second song, “Good Looking,” is a dressed-up 80s-sounding pop-synth tune. The last minute or so is a nice instrumental passage, though. The band also released a 'radio single' version of this song, which is just one second shorter. It, too, closes with an instrumental passage, but a less interesting one. The third track, “In the Lost & Found,” is pretty jazzy and funky, actually, and reminds me of Steely Dan without the acerbic lyrics. Next is “Time Will Tell” at just over two minutes. You get some Floydian sound effects, Gilmour-like guitars, and keyboard textures that remind me of Wright.
If there is a total lift on the album, it’s “Tell Me the Lore.” You could very easily mistake it for a late-period Yes song in every respect. “Millipede Man” is pretty unoriginal too. It’s basically early 80s King Crimson. The vocalist goes from Anderson to Belew on successive tracks. The closer, “Answers in the Glass,” sounds like poppy Porcupine Tree or a tune off a more recent Wilson solo album.
You could do worse than Mind Out of Mind. It’s not so derivative as to be annoying, though it gets close at times. Getting back to the wordiness, it’s supposed to tell a story about a king banished from his own realm. Not a bad concept, but the verbosity takes away from the playing.
I like the cover, though not as much as the one for their debut, Return to the ‘E.’ The artist might owe Roger Dean some royalties for it. Given what I heard on Mind Out of Mind, I’ll probably give that album a shot.
Track Listing
1. Mind Out of Mind (9:46)
2. Good-Looking (3:57)
3. In the Lost & Found (8:13)
4. Time Will Tell (2:05)
5. Tell Me the Lore (4:43)
6. Millipede Man (4:33)
7. Answers in the Glass (8:12)
Added: May 28th 2024 Reviewer: Aaron Steelman Score: Related Link: Band @ Bandcamp Hits: 764 Language: english
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K’mono: Mind Out of Mind Posted by Pete Pardo, SoT Staff Writer on 2024-05-28 15:23:12 My Score:
We don't often hear of Minnesota being a 'hot bed' of progressive rock, but now with two solid albums under their belt, the outfit calling themselves K'mono are surely off to the races and making their statement. Mind Out of Mind is their latest album, filled with plenty of symphonic flourishes and quirky passages for anyone who loves vintage '70s progressive rock, including of course the Canterbury bands. The band is:
Jeffrey Carlson: Vocals, Guitars, and Keys
Chad Fjerstad: Vocals, Bass, and Keys
Timothy Java: Drums
The opening near 10-minute title track is the real highlight here, a song that will scratch that itch for any fan of Yes, Gentle Giant, Genesis, and Hatfield and the North, jangly rhythms, bubbling synths, Mellotron, tasty guitars, and melodic vocal harmonies floating all about the mix, and the fat lead bass on "In the Lost and Found" is highly enjoyable. "Millipede Man" is total Canterbury quirkiness, and "Answers in the Glass" is the other lengthy piece here, though it's a bit more meandering than the previous epics. While a few of the shorter tracks don't quite have the punch of the longer songs, it's all very enjoyable and fun, so I'm highly intrigued to see where these guys go next.
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